Atiq Rahimi was born in Afghanistan in 1962 but fled to France in 1984. There he has become renowned as a maker of documentary and feature films, and as a writer. The film of his novel "Earth and Ashes "was in the Official Selection at Cannes in 2004 and won a number of prizes. He is currently adapting another of his novels, "A Thousand Rooms of Dreams and Fear, "for the screen. Since 2001 Rahimi has returned to Afghanistan to set up a Writers House in Kabul and to offer support and training to young Afghan writers and filmmakers. He lives in Paris.
Polly McLean is a freelance translator based in Oxford, England. Previous translations include titles by Catherine Deneuve and Sylvia Kristel (star of the "Emmanuelle "films) as well as the award-winning "Secret "by Philippe Grimbert"
Siamand Zandi is a prolific translator based in Vancouver, Canada. He was expelled from the University of Tehran after the 1979 Revolution and the purges of the Cultural Revolution. From the end of 1983, when he was forced to leave Iran, he settled in France.
In addition to his studies and work, he and a group of his friends published the political-theoretical magazine "Aghazi " for several years.
Since the popularization of the Iranian Internet and Internet sites, his articles and writings have been published on the Internet and in Arash magazine and other publications.
For far too long, Afghan women have been faceless and voiceless. Until now. With "The Patience Stone," Atiq Rahimi gives face and voice to one unforgettable woman and, one could argue, offers her as a proxy for the grievances of millions it is a rich read, part allegory, part a tale of retribution, part an exploration of honor, love, sex, marriage, war. It is without doubt an important and courageous book. from the introduction by Khaled Hosseini, author of "The Kite Runner" and "A Thousand Splendid Suns"
In Persian folklore, Syngue Sabour is the name of a magical black stone, a patience stone, which absorbs the plight of those who confide in it. It is believed that the day it explodes, after having received too much hardship and pain, will be the day of the Apocalypse. But here, the Syngue Sabour is not a stone but rather a man lying brain-dead with a bullet lodged in his neck. His wife is with him, sitting by his side. But she resents him for having sacrificed her to the war, for never being able to resist the call to arms, for wanting to be a hero, and in the end, after all was said and done, for being incapacitated in a small skirmish. Yet she cares, and she speaks to him. She even talks to him more and more, opening up her deepest desires, pains, and secrets. While in the streets rival factions clash and soldiers are looting and killing around her, she speaks of her life, never knowing if her husband really hears. And it is an extraordinary confession, without restraint, about sex and love and her anger against a man who never understood her, who mistreated her, who never showed her any respect or kindness. Her admission releases the weight of oppression of marital, social, and religious norms, and she leads her story up to the great secret that is unthinkable in a country such as Afghanistan. Winner of the Prix Goncourt, "The Patience Stone "captures with great courage and spare, poetic, prose the reality of everyday life for an intelligent woman under the oppressive weight of the Taliban regime in Afghanistan.
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